PETER SINFIELD - A BRIEF CV


SINFIELD , Peter John: b. 27 December 1943, Fulham, London.

*****
By Appointment

1969-1972. King Crimson, co-writer/co-producer.
1972. Roxy Music, producer.
1973. Solo Album, “Still/usion”, singer, writer, producer
1973-1979. ELP: Greg Lake: PFM: Keith Christmas: Esperanto:
Angelo Branduardi: co-writer and/or, co-producer.
1980 - 2003. Co-writer with A. Hill, A. Hammond, W. Livesey et al.

*****
The More Famous Songs *

In The Court of The Crimson King (King Crimson/ 3 mil’n)
21st Century Schizoid Man (KC+ others/ 5 mil’n)
Moonchild (KC+ an adpt’n “M62” by Doves/ 4.0 mil’n)
Karnevil 9 (ELP/ 3 mil’n )
Pirates (ELP/ 2.4/mil’n)
C’est La Vie (G. Lake/ 2.5 mil’n)
I Believe In Father Christmas (G. Lake+12 others/ 4 mil’n)
The Land Of Make Believe (Bucks Fizz&C. Dion in Fr./ 4.5 mil’n)
Have You Ever Been In Love (L. Sayer&Peter Cetera/ 1.3 mil’n)
Rain Or Shine (Five Star/0.5 mil’n)
Don’t Walk Away (Bad English+ others/ 1.2 mil’n)
Looking Throught The Eyes Of A Child (Eddy Money+/ 2.0 mil’n)
Heart of Stone (Cher/ 8.5 mil’n)
Peace In Our Time (C. Richard+ 5 others/ 2.3 mil’n)
Call The Man (C. Dion+ ?others/ 20 mil’n)
Think Twice (C. Dion+ 60 something others/ 30 mil’n)

*****
Ivor Novello’s for Best Song Musically & Lyrically.

Winner 1980 - “Have You Ever Been In Love.”
Nominated 1981 - “The Land of Make Believe.”
Winner 1992 - “Think Twice”

*****
For further exploration into the tyranny of my talent you are invited to visit the ever expanding
<http://www.songsouponsea.com>
A beautiful Kew Gardens of a website started by my friend Jon Green in1998. Originaly dedicated
to my early work. Today it includes pages on the craft of songwriting, music files, and much more.

*****
Publishing- Tim Smith Imagem Music (tim.smith@imagem-music.com)
Business- Lucy Andre, PO Box 22, Leiston, Suffolk IP15 5NZ (songsoup42@yahoo.com)
Site update slave- Joanne Roffey (jo@thefoxglove.co.uk)
Original Site Concept & Design- Jon Green (jrgreen73@yahoo.com)

* The mechanical sales figures are on the low side of approximate.
A deluge of reissues, recuts & repackaging now makes it nigh on
impossible to keep track of my er, tracks. When I added the songs
which appeared on albums along side some of the above, and the
many that didn’t plus those that were ’big in Italy’ etc., I arrived
at a rough, approximate total figure of 130 mil’n. Which was nice.